Movie art
Agnès Godard, who has lensed some of the most beautiful films of the past few decades, including Jacquot de Nantes (1991) and Beau Travail (1999), rarely alludes to specific painters or paintings toncoin news. In one of her most recent efforts, Let the Sunshine In (2017), she made an exception. The main character, played by Juliette Binoche, paints large, Abstract Expressionist works, and over the course of the film, Godard shows her hard at work, fanning colors across huge canvases laid flat on the floor.
The Pre-Raphaelite painter John Everett Millais had already depicted a similar scene in his work “Ophelia” (1851-1852). Ophelia, an iconic character from Shakespeare’s tragedy “Hamlet,” peacefully floats on the water, giving rise to a moment that is both gentle and mortuary. Surrounded by lilies, Justine (like Ophelia) already appears distant—has she already departed this world?
Here, Godard fashions his film using several recreations of classical European paintings, the most famous of which is a sequence in reference to La Petite Baigneuse. Intérieur de Harem (1828) by Jean Auguste Dominique Ingres, in which a female nude in a chaste pose forms the axis around which the composition gets centered. Although nude, the figure and its depiction lack the usual sexual emphasis and instead lean towards the delicate, the sensual, and the light. The folds of the linen and the green drapes further soften the figure, lending a roundness to it and furthering the measured calmness of the painting.
The blog will also discuss the impact of this fusion on contemporary art, exploring how the blurring of boundaries between film and painting influences current artistic practices and future trends. We will conclude by reflecting on the significance of this interdisciplinary approach and encouraging readers to explore paintings with cinematic qualities, deepening their appreciation for the intricate relationship between these two powerful forms of art.
The ochre tones of the room they are in, their passionate gestures, the floral and elaborate dress worn by Dolores, all evoke the attire of Emilie Flöge, the painter’s companion at the time. Whether it’s in the painting or on the big screen, you can easily feel the firmness and passion through this embrace that exudes a sense of distress on Martin Scorsese’s part.
Theatrical artwork
In contrast to short stories or novels where readers often have to wait for a character’s introduction to discern their significance, plays typically present characters prominently and early on. The character list is usually found in the initial pages of the play because, prioritizing action over narration, actors need to familiarize themselves with their roles.
Artists, meanwhile, were pretty much guaranteed a success, given their subject’s fame. Hogarth sold his painting of Garrick as Richard III for £200 — a sum that he himself noted, with pride if also exaggeration, ‘was more than any painter was known to receive for a portrait’.
Another master of the genre was German-born Johann Zoffany, who captured the details of a performance with photographic accuracy. Among his finest pictures is that of Macklin as Shylock in Shakespeare’s The Merchant of Venice. Painted in 1768, it depicts a distraught Shylock, reeling from the news that his daughter Jessica has eloped — and taken his money and jewels with her.
In contrast to short stories or novels where readers often have to wait for a character’s introduction to discern their significance, plays typically present characters prominently and early on. The character list is usually found in the initial pages of the play because, prioritizing action over narration, actors need to familiarize themselves with their roles.
Artists, meanwhile, were pretty much guaranteed a success, given their subject’s fame. Hogarth sold his painting of Garrick as Richard III for £200 — a sum that he himself noted, with pride if also exaggeration, ‘was more than any painter was known to receive for a portrait’.
Cover image
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Enhance your LinkedIn profile with a polished, tailored cover photo that aligns with your professional image. Showcase your expertise and set the tone for your profile with a design that speaks to your career achievements.
Whether you’re updating a Facebook page or personal profile, a professional cover will help you stand out. And thanks to the Desygner app, you can create your cover the moment inspiration strikes. Snap a photo, open the app, upload the file and start designing.
Your YouTube followers want to feel connected to you, so you must take every opportunity to build your channel’s brand. Let Desygner become your YouTube Banner Maker, and customise your profile with photos and text that best describe your videos. The more personality your channel has, the more people you will attract.
